The best films of 2021: the ballots

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Licorice Pizza

Licorice Pizza
Photo: MGM

Jesse hassenger

1. Licorice Pizza
2. The French Freedom Expedition, Kansas Evening Sun
3. West Side Story
4. Red rocket
5. Titanium
6. The worst person in the world
seven. In the heights
8. No sudden movement
9. Spencer
ten. The green knight
11. Pork
12. Macbeth’s tragedy
13. Luca
14. Werewolves inside
15. Riders of justice


West Side Story would be the musical of the year based purely on Spielberg’s thrilling tech skills, but I cried at least three times while watching this adaptation of a more contemporary Broadway show (created, in the interest of full disclosure , by my classmate Lin-Manuel Miranda). By the way, Jon M. Chu might not be at Spielberg’s level, but he’s certainly having a production number, with some of the best-staged movie musical scenes of the 21st century to date. See our List of the best scenes for a; see the magnificent “Pacienca y Fe” for another, a tour de force juxtaposition of family memories and immigration history, very much in conversation with West Side Storyis “America”.

Around these parts, people have taken a sane attitude towards Netflix’s fresh-faced, energetic, and dead-end mediocrity. Fear street trilogy; my trusted editor, AA Dowd, was rightly skeptical, even though he was a little soft on their stupid falsehood. But on the wider internet of movie reviews, as Rotten Tomatoes portrays it, the Fear street movies are supposed to get better as they go. It’s as if everyone is hallucinating the horror pastiches of their dreams based on the appealing loglines of the movies, rather than the movies themselves – a triptych of flabby and absurd slasher riffs that synthetically reprocess the horror tropes in a lousy teenage theme park with carefree anachronisms and no-nonsense jokes.

Now, if you’re looking for a really good slasher movie, take a look at David Gordon Green’s weirdly vilified follow-up to his 2018 legacy sequel. The film’s narrative gets a bit diffuse, but Green’s ears and eyes are so attentive to Haddonfield’s little players that Halloween kills feels, at times, like a gorehound version of his small town independent character studies as Manglecorne Where Prince Avalanche. Green portrays old Michael Myers as an evil, overgrown child, wandering his hometown and destroying it piece by piece, transforming the “intermediate” status of Kill in an expression of chilling despair.

It’s a luscious western with a dream cast — Jonathan Majors, Idris Elba, Regina King, LaKeith Stanfield, Zazie Beetz, Delroy Lindo — directed by a promising artist who looks set to prove that western revivals aren’t exclusive territory. by Quentin Tarantino. Why, then, so many The more they fall do you think Tarantino has warmed up? Despite some spicy stylistic flourishes from director Jeymes Samuel, much of Stronger trotting ahead, too slow to be clumsy Desperado status, too caricature to sound like a drama.

I caught up Werewolves inside on a whim, several weeks after it started its theatrical release, with a friend I haven’t seen in a few years, and it remains one of the only comedies I’ve seen in a movie theater. ever since COVID happened. So maybe the circumstances of this video game-based whodunit-style werewolf comedy helped put it at the bottom of my list of the best. But those brief good vibes were reinforced by the movie itself, a dizzying horror farce that takes an infectious joy in positioning its ensemble in wrapped frames and providing them with quick jokes, asides, and comments. It’s a delightful capitalization on the promise director Josh Ruben showed with the same housebound Scare me.


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